Lead Compositor, ScanlineVFX, Vancouver, Fengshen Trilogy (2020), Midway (2019), Game of Thrones - season 8 (2019)
Sr Compositor, Weta Digital, Wellington, Mortal Engines (2018)
Lead Compositor, Digital Domain, Vancouver, Avengers - Infinity War (2018), Spider-Man: Homecoming (2017), Fast 8 - Fate of the Furious (2017)
Sr Compositor, Sony Imageworks, Vancouver, Alice in Wonderland - Through the Looking Glass (2016), Ghostbusters (2016)
Sr Compositor, Method Studios, Vancouver, Avengers 2 Age of Ultron (2015)
Sr Compositor, ScanlineVFX, Vancouver, Fast and Furious 7 (2015), In the Heart of the Sea (2015), Game of Thrones -the children- (2014), Divergent (2014), Pompeii (2014)
Sr Compositor, MPC, Vancouver, "Fast and Furious 6" (2013), "Superman - Man of steel" (2013)
Compositor, Pixomondo, Berlin, stereoscopic compositing, "Hugo" (2011)
Compositor, Trixter, Munich, stereo compositing, "Journey 2" (2011), "Priest" (2011), "The Green Lantern" (2011)
Art Director and CG Supervisor, PostFactory, Berlin 2010, 8K dome projection for Audi A7 world premiere
VFX Supervisor, BumbleBee Animation, 2007-2009, TV feature "The Frog King"(GER 2008), on set supervision
Hardsurface modeling in Alias, visualization and concept design, AUDI, 2006 - 2007, Maya and Alias Studio Tools
Associate lecturer at the Academy for Film and Television Konrad-Wolf Potsdam-Babelsberg (HFF), CGI set extension and integration
CG Supervisor, GoToXY, 1997 - 2003, working with Alias Power Animator, NURBS modeling, Lighting & Shading
Digital Production DCC magazine, Germany, author of reviews and workshops about CGI, 2004 - 2013
author of Maya 2008, 3D-Grafik und Animation, ISBN 978-3-8266-1711-9, 6. Edition published 2008
University of Applied Sciences Georg-Simon-Ohm, FH Nürnberg, Germany, 1995-2001
Master Degree in Graphic Design, Major Computer Animation